P-Cug MM 0009   ▸
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Anima mea (Magnificat, tone 1)


Anima mea (Magnificat, tone 1)

Other references: 

KREITNER, Kenneth, 'Two Early Morales Magnificat Settings', in Cristóbal de Morales: Sources, Influences, Reception, eds Owen Rees and Bernadette Nelson, Woodbridge: Boydell Press, 2007, pp. 21-61


A-Wn 15943; A-Wn 19426; CO-B s.s.; D-ERu 473/2; E-AL 3; E-PAbm 6832; E-PAS s.s.; E-Tc 18; E-Tc 34; Vc 5; GCA-Gc 2; I-Bsp 46; I-LT 37; I-Md 24; I-Rsld IV/9; I-Rvat CG; VIII.39; I-Rvat CG XV.36; I-Rvat CS 21; I-Rvat SM 36; I-TVd 10; P-Cug MM 32, fols 099v-103v; P-Pm MM 40; SK-BRa 11; US-NYhsa 869; US-NYhsa 870; 1542/9; 1544/4; M3594-1545; 1550/4; M3506-1559; 1562/1 (P-Cug MI 22); M3598-1563; M3599-1568; M3600-1575; M3601-1583; M3602-1597


Both this copy and that in P-Cug MM 32 include a 2-voice version of the verse 'Suscepit Israel'. A copy of the 4-voice version of this Vs copied from the print was appended to this setting by another scribe.The 2-voice Vs setting derives from an earlier Magnificat in the 1st tone by Morales found in E-V 5 and two more Spanish manuscripts (see Kreitner, 2007); it is also intabulated in Miguel de Fuenllana's Orphénica lyra (Seville 1554)

Number of voices: