P-AR (Arouca) Museu Regional de Arte Sacra do Mosteiro de Arouca Res. Ms. 032

Displaying 1 - 41 of 41
Source Folio Incipit Feast Office Genre Position
P-AR Res. Ms. 032 001v-002r Domine ad adjuvandum me festina (Deus rp Anonymous
P-AR Res. Ms. 032 002v-004r Donec ponam (Dixit Dominus) PS Anonymous
P-AR Res. Ms. 032 004v-008r Magna opera Domini (Confitebor tibi Domine) PS Anonymous
P-AR Res. Ms. 032 004v-008r Potens in terra (Beatus vir) PS Anonymous
P-AR Res. Ms. 032 011v-015r Sit nomen Domini (Laudate pueri) PS Anonymous
P-AR Res. Ms. 032 014v-015r Hymnus H Anonymous
P-AR Res. Ms. 032 015v-016r Hymnus H Anonymous
P-AR Res. Ms. 032 016v-017r Os lingua mens sensus (Nunc sancte) H Gouveia, Simão dos Anjos de
P-AR Res. Ms. 032 017v-023r Anima mea (Magnificat, tone 6) Ca Morales, Cristóbal de
P-AR Res. Ms. 032 023v-029r Anima mea (Magnificat, tone 1) Ca Anonymous
P-AR Res. Ms. 032 029v-030r Benedicamus Domino BD Fernandes, Aires
P-AR Res. Ms. 032 029v-030r Benedicamus Domino BD Fernandes, Aires
P-AR Res. Ms. 032 030v-032r Domine hyssopo (Asperges me) A Mendes, Manuel
P-AR Res. Ms. 032 032v-034r Egredientem de templo (Vidi aquam) A Anonymous
P-AR Res. Ms. 032 034v-045r [Missa sine nomine] Mi Oliveira, António de
P-AR Res. Ms. 032 045v-056r Missa sobre O gram Senhora Mi Brasil
P-AR Res. Ms. 032 056v-057r Alleluia Al Velez, Francisco
P-AR Res. Ms. 032 057v-058r Alleluia Al Gouveia, Simão dos Anjos de
P-AR Res. Ms. 032 058v-059r Alleluia Al Mendes, Manuel
P-AR Res. Ms. 032 059v-060r Alleluia Al Oliveira, António de
P-AR Res. Ms. 032 061v-065r Erit in combustionem (Populus qui ambulabat) Ca Anonymous
P-AR Res. Ms. 032 064v-067r Laetare Jerusalem Ca Anonymous
P-AR Res. Ms. 032 067v-071r Urbs fortitudinis nostrae Ca Anonymous
P-AR Res. Ms. 032 072v-074r Alleluia Al Anonymous
P-AR Res. Ms. 032 074v-075r Alleluia Al Anonymous
P-AR Res. Ms. 032 075v-076r Alleluia Al Azevedo, João Leite de
P-AR Res. Ms. 032 076v-077r Benedicamus Domino BD Anonymous
P-AR Res. Ms. 032 077v Alleluia Al Anonymous
P-AR Res. Ms. 032 078v-080r [Missa sine nomine] Mi Anonymous
P-AR Res. Ms. 032 081v-088r Anima mea (Magnificat, tone 8) Ca Anonymous
P-AR Res. Ms. 032 088v Domine ad adjuvandum me festina (Deus rp Anonymous
P-AR Res. Ms. 032 089v-092r Super flumina Babylonis (tone 4) PS Anonymous
P-AR Res. Ms. 032 092Av-093Ar Sancta Maria ora pro nobis Li Anonymous
P-AR Res. Ms. 032 092v-093Ar Quia visitavit (Benedictus Dominus) Ca Martins, Francisco
P-AR Res. Ms. 032 093r Mortem autem crucis (Christus factus est) W Anonymous
P-AR Res. Ms. 032 093r Kyrie eleison W Anonymous
P-AR Res. Ms. 032 093v-096r Et erexit (Benedictus Dominus) Ca Anonymous
P-AR Res. Ms. 032 095v-096r Benedicamus Domino BD Anonymous
P-AR Res. Ms. 032 096v-098r Pupili facti sumus (Heu heu Domine) Anonymous
P-AR Res. Ms. 032 098v-100r Alleluia Al Anonymous
P-AR Res. Ms. 032 100v-103r Inclina cor meum (Beati immaculati) PS Anonymous
Siglum: 
P-AR Res. Ms. 032
Shelfmark: 
Res. Ms. 032
Source type: 
Subcategory of source: 
Category: 
Document type: 
Date: 
[c.1610-20]
Type of notation: 
Type of script: 
Material: 
Contents: 
9 Alleluias, 2 Antiphons, 4 Benedicamus Domino, 8 Canticles, 3 Hymns, 1 Litany, 3 Masses, 1 Planctus, 6 Psalms, 1 Preces, 3 Versicles (= 41)
Foliation/Pagination: 
i + 103 + i. The number sequence is complete, although there are signs of torn folios in the two final gatherings
Gathering: 
14 gatherings: a8 (fols. 1r-8v); b8 (fols. 9r-16v); c8 (fols. 17r-24v); d8 (fols. 25r-32v); e8 (fols. 33r-40v); f8 (fols. 41r-48v); g6 (fols. 49r-54v); h6 (fols. 55r–60v); i8 (fols. 61r-68v); j8 (fols. 69r-76v); k6 (fols. 77r-82v); l8 (-1) (fols. 83r-89v); m6 (-1+2) (fols. 90r-96v); n8 (-1) (fols. 97r-103r)
Page layout: 
Choirbook format, 358 X 245 mm
Condition of document: 
Some folios show signs of exposure to humidity (guard-leaf and fols. 1v-16r); torn folios (guard-leaf and fol. 1r); ink corrosion in the second half of the book (especially between fols. 62v-87v)
Watermarks: 

Four watermarks: 1) Trefoil/ellipse/bifoil [guard-leaf]~Gravell SPH.007.01, Heawood 3839, 3840, Melo n.º 114 and n.º 121; 2) Fleur-de-lis/crown [f. 4r]~Heawood 1627, 1629; 3) “Pilgrim” [fol. 68r]~P-Cug MM 8, MM 26, P-Ln LC 57 (Rees 1995, pp. 387, 396, 437); 4) trefoil/ellipse/bifoil/letters [added bifolium, fols. 92A-93A]~Heawood 3809, Melo n.º 117

Bindings: 
Covers of light brown skiver
Decoration: 
Initials with simple decorative designs
Inscriptions: 

Latin voice names in some of the items until fol. 60r. A number of pieces have marginal notes on performance issues including transposition, and the position and number of fingers on the bassoon (baixão) and, presumedly, the viol; see the musical items. On the guard-leaf: "o primeiro salmo [illegible] sin pres[ / o segu(n)do salmo [illegible] / o terçeiro como o primeiro / o quarto como o segu(n)do"

Remarks: 

The book is clearly divided in two parts: the first (fols. 1-60), carefully written and with a concern for clarity and coherence of contents, always by the same scribe; the second (fols. 61-103), written at a later date, clearly with much less concern with visual presentation and handwriting; it is possible to find three more hands, different from the one in the first section: one on fols. 61v-80r and 98v-103r; a second one on fols. 81v-87r; and a third one on fols. 87v-98r. Folios 75v-76r consist of four part-book format folios for each of the four voice parts pasted onto the existing folios. These are richly decorated: initials in red with elaborate filigree designs; drawings of several motifs of Nature are drawn in the heading of each voice (flowers in the superius primus and tenor, a bird in the altus). Blank folios: 1r, 60v-61r, 63v-64r, 71v-74r, 78r, 80v-81r, 89r, 92Ar, 93Av, 103v The book was restored in 2018. The photographs in the image gallery show it in its previous condition.

References: 

FREITAS, Frederico de, 'Os livros de música do Museu de Arouca', Novidades, suplemento Letras e Artes (26 de Setembro, 1948)

RIBEIRO, Mário de Sampaio, 'Sete "Alleluias" inéditos', in Sete "Alleluias" inéditos (dum códice do Mosteiro de Arouca), ed. Mauro M. Fábregas, sep. Liturgia (Negrelos, 1949-50), pp. 5-11.

STEVENSON, Robert, 'Some Portuguese Sources for Early Brazilian Music History', Yearbook of the Inter-American Institute for Musical Research, 4 (1968), pp. 1-43.

STEVENSON, Robert, Latin American Colonial Music Anthology (Washington, General Secretariat - Organization of American States, 1975).

FERREIRA, Manuel Pedro (ed.), Antologia de Música em Portugal na Idade Média e no Renascimento, 2 vols. (Lisboa, Arte das Musas - CESEM, 2008).

ALVARENGA, João Pedro d', 'Manuscript Évora, Biblioteca Pública, Cód. CLI/1-3: Its Origin and Contents, and the Stemmata of Late-Sixteenth- and Early-Seventeenth-Century Portuguese Sources', Anuario Musical, 66 (2011), pp. 137-58 

FERREIRA, Manuel Pedro, and FORTU, Mara, 'A música antiga nos manuscritos de Arouca: contribuição para um catálogo', in O órgão do Mosteiro de Arouca: conservação e restauro do património musical, coord. Ângela Melo (Vila Real - Arouca, Direcção Geral de Cultura do Norte, 2009), pp. 40-5

CARVALHO, Ana Sá, 'O códice polifónico de Arouca: Estudo e transcrição', 2 vols. (Tese de mestrado, Universidade Nova de Lisboa, 2012)

CARVALHO, Ana Sá, 'O códice polifónico de Arouca', Portuguese Journal of Musicology, new series, 2/1 (2015), pp. 61-78

NELSON, Bernadette, 'Morales's Magnificats in Portugal and Some Anonymous Settings in Portuguese Sources: Questions of Style and Authorship', Portuguese Journal of Musicology, new series, 2/2 (2015), pp. 193-214

 

 

 

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