P-Cug (Coimbra) Biblioteca Geral da Universidade MM 006

Displaying 1 - 38 of 38
Source Folio Incipit Feast Office Genre Position Cantus ID
P-Cug MM 006 001r-006r Sanctus (Te Deum)* TD
P-Cug MM 006 007r textless F
P-Cug MM 006 007v-012r Et filius datus (Puer natus est In
P-Cug MM 006 013v-027r Aeternam dona eis (Requiem) (Missa pro Rq
P-Cug MM 006 027v Alleluia. Beatus vir sanctus Martinus Al
P-Cug MM 006 028v-032r Patrem (Credo) Cr
P-Cug MM 006 033v-039r Anima mea (Magnificat, tone 3) Ca
P-Cug MM 006 040v-045r Et exultavit (Magnificat, tone 2) Ca
P-Cug MM 006 045v Alleluia. Exivi a patre Al
P-Cug MM 006 046r textless*
P-Cug MM 006 046v-049r Anima mea (Magnificat, tone 6)* Ca
P-Cug MM 006 049v Mihi autem absit In
P-Cug MM 006 049v Alleluia. Franciscus pauper Al
P-Cug MM 006 050v-051r Benedicamus domino BD
P-Cug MM 006 051v Alleluia. Tanto tempore Al
P-Cug MM 006 052v-053v Anima mea (Magnificat, tone 8) (incompl.) Ca
P-Cug MM 006 053v Dedit dominus In
P-Cug MM 006 053v In fide et lenitate Cm
P-Cug MM 006 054r Alleluia. O quam gloriosum Al
P-Cug MM 006 054v Illuxerunt coruscationes In
P-Cug MM 006 054v-055r Alleluia. Candor est lucis Al
P-Cug MM 006 055r Visionem quam vidistis Cm
P-Cug MM 006 055v textless*
P-Cug MM 006 056r Dulcis virgo (Salve regina)* ABV
P-Cug MM 006 056v-060r Regina caeli ABV
P-Cug MM 006 060v textless*
P-Cug MM 006 060v Alleluia. Sancte Michael Al
P-Cug MM 006 061v-064r Sede a dextris meis (Dixit dominus) PS
P-Cug MM 006 064v-067r In consilio justor (Confitebor tibi) PS
P-Cug MM 006 067v-070r In mandatis ejus (Beatus vir) PS
P-Cug MM 006 070v-071r Laudate pueri* PS
P-Cug MM 006 071v-080r Domus Jacob populo (In exitu Israel) PS
P-Cug MM 006 080v-081r Laudate eum omnes populi (Laudate dominum)* PS
P-Cug MM 006 082v-086r Salve regina ABV
P-Cug MM 006 086v-087r Alleluia Al
P-Cug MM 006 087v-088r Benedicamus domino BD
P-Cug MM 006 088v Effuderunt sanguinem Tc
P-Cug MM 006 088v-091v Sede a dextris meis (Dixit dominus)* PS
Siglum: 
P-Cug MM 006
Shelfmark: 
MM 006
Source type: 
Subcategory of book: 
Category: 
Document type: 
Date: 
mid 16th century (c.1540-c.1555)
Century: 
Type of notation: 
Type of script: 
Material: 
Contents: 
Polyphony: 1 Alleluia; 2 Benedicamus domino; 4 Canticles; 1 Credo; 1 Fabordão; 3 Marian antiphons (1 frag.); 1 Mass; 2 Mass propers; 7 Psalms (=22). Chant: 7 Alleluias; 1 Tract; 3 Introits; 2 Communions (=13). Unidentified fragments: 3.
Foliation: 
ii + 92 + ii; modern pencil foliation 1-91; unnumbered folio between fols. 69 and 70 now numbered 70A. Missing folios: at least 2 at the beginning of the manuscript; 3 between fols. 55 and 56; and 1 more between fols. 70 and 71.
Gathering: 
Unclear. Original order of pieces disrupted with modern re-binding; structure of book concealed with binding process.
Page layout: 
Choirbook format. 545 x 400-05 mm
Condition of document: 
Damaged. Marks of exposure to water on the bottom half of all folios; ink corrosion on most folios (excepting fols. 13-27).
Watermarks: 

4 Paper types; 3 watermarks, 1 watermark on paper 3 similar to marks on MM 37 and MM 44 (paper 8) (cf Rees 1995: 159, 369 & 386).

Bindings: 
Covers of light-brown blind-tooled leather over boards. Manuscript rebound 1937-1941, obscuring its original structure. The manuscript had originally parchment covers.
Decoration: 
Calligraphic or pen-work initials on fols. 6r, 13v-14v, 16v (in red, tenor part), 21v-22r (alternating black and red), 25v (in red, tenor part), 26v (in red, tenor part), 40v, 42r (altus part), 42v (cantus part), 43v-44r, 45v, 49v, 51v, 53v-55r, 60v, 87r, 87v-88r, 88v (in red), 89v-91v; banderole initials on fols. 28v-29r; small zoomorphic initial on fol. 7v (tenor part).
Inscriptions: 

No original inscriptions or marks.

Remarks: 

Six original scribes; additions, mostly chant, by a variety of different scribes. One of the original six scribes also copied the chant book P-Cug MM 37. The formal type of notation and copying habits connect MM 6 with P-Cug MM 9 and MM 12. Luis Moran’s Magnificat at fols. 40v-45r apparently served as direct exemplar for P-Cug MM 32, fols. 75v-81r. The Salve regina setting on fols. 82v-86r may be attributed to Heliodoro de Paiva on stylistic grounds (see Rees, p. 159); folios in this piece are out of order because of the modern rebinding of the manuscript.

References: 

RIBEIRO, Mário de Sampayo, Os manuscritos musicais nos 6 e 12 da Biblioteca Geral da Universidade de Coimbra. Achegas para a história da música em Portugal 5, Coimbra, 1941

REES, Owen, Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra, New York & London / Garland, 1995, pp. 155-60, 369 & 386.

C.M.M.E. Project (http://www.cmme.org/database/sources/90)