P-Ln (Lisboa) Biblioteca Nacional de Portugal CIC 060

Displaying 1 - 73 of 73
Source Folio Incipit Feast Office Genre Position Cantus ID
P-Ln CIC 060 001r textless*
P-Ln CIC 060 001v-003r Ave Maria Mo
P-Ln CIC 060 003v-005r Ave vera caro Christi Mo
P-Ln CIC 060 007r-008r Ave vere sanguis Domini* Mo
P-Ln CIC 060 008v-009r Jerusalem convertere La
P-Ln CIC 060 009v-011r Stabat mater dolorosa Mo
P-Ln CIC 060 011v-012r O sacrum convivium Mo
P-Ln CIC 060 012v-014r Rex autem David Mo
P-Ln CIC 060 014v-016r O bone Jesu Mo
P-Ln CIC 060 016v-017r Benedicamus domino BD
P-Ln CIC 060 017v-019r Hoc corpus Mo
P-Ln CIC 060 019v-021r Domine Jesu Christe qui hora diei Mo
P-Ln CIC 060 021v-022r Ave sanctissimum Mo
P-Ln CIC 060 022v-024r Resurgens Christus Mo
P-Ln CIC 060 024v-025r Alleluia Christus resurgens / Pascha nostrum Al
P-Ln CIC 060 025v-027r Deposuit potentes (Magnificat, tone 4)* Ca
P-Ln CIC 060 027v-030r Quia fecit (Magnificat, tone 4)* Ca
P-Ln CIC 060 030v-032r Quia fecit (Magnificat, tone 6)* Ca
P-Ln CIC 060 032v-033r Vos virgem sois nostra madre Vc
P-Ln CIC 060 033v-034r Terra donde me criei CC
P-Ln CIC 060 034v-035r Quiso nostro Dios Vc
P-Ln CIC 060 035v-036r De gram prisión nos quitó Vc
P-Ln CIC 060 036v-037r Ninha era la infanta Ro
P-Ln CIC 060 037v-038r Cercaranme los pesares Vc
P-Ln CIC 060 038v-039r Soledad tenguo de ti Vc
P-Ln CIC 060 039v-040r Passame por Dios barquero Vc
P-Ln CIC 060 040v-041r Mis ojos tristes lhorando Vc
P-Ln CIC 060 041v-042r Fijas de Jerusalem Vc
P-Ln CIC 060 042v-043r Ave verbum incarnatum Mo
P-Ln CIC 060 043v-044r Em mi gram suffrimento CC
P-Ln CIC 060 044v-045r Ojos tristes non lhoreis CC
P-Ln CIC 060 045v-046r Non me pregunteis Vc
P-Ln CIC 060 046v-047r Puse mis amores Vc
P-Ln CIC 060 047v-048r Por mi mal me lo tomastes Vc
P-Ln CIC 060 048v-049r Si tantos monteros Vc
P-Ln CIC 060 049v-050r Acabarseam mis plazeres Vc
P-Ln CIC 060 050v-051r Parto triste saludoso Vc
P-Ln CIC 060 051v-052r O tempo bom tudo cura Vc
P-Ln CIC 060 052v-053v Incipit oratio Jeremiae prophetae La
P-Ln CIC 060 054r textless
P-Ln CIC 060 054v-055r Parce mihi domine L
P-Ln CIC 060 055v Subvenite sancti dei R
P-Ln CIC 060 055v Suscipiat eam Christus V
P-Ln CIC 060 056r Kyrie eleison Christe eleison Li
P-Ln CIC 060 056r-056v Libera me Domine de morte R
P-Ln CIC 060 056v Dies illa dies irae V
P-Ln CIC 060 056v Tremens factus sum V
P-Ln CIC 060 056v Quid ergo miserrimus V
P-Ln CIC 060 057r Subvenite* R
P-Ln CIC 060 057r Memento mei Deus R
P-Ln CIC 060 057r Et non revertetur V
P-Ln CIC 060 057r Kyrie eleison (no music) Li
P-Ln CIC 060 057v Chorus angelorum* A
P-Ln CIC 060 057v In exitu (no music) PS
P-Ln CIC 060 057v Chorus angelorum A
P-Ln CIC 060 058r Libera me Domine de viis R
P-Ln CIC 060 058r Clementissime Domine A
P-Ln CIC 060 059v Memento mei Deus (no music)* R
P-Ln CIC 060 059v Kyrie eleison (no music)* Li
P-Ln CIC 060 059v Pater noster (no music)*
P-Ln CIC 060 059v Ad dominum cum tribularem (no music)* PS
P-Ln CIC 060 059v Libera me domine de morte (no R
P-Ln CIC 060 059v Kyrie eleison (no music)* Li
P-Ln CIC 060 059v Levavi oculos meos (no music)* PS
P-Ln CIC 060 060r Ne recorderis R
P-Ln CIC 060 060r Non intres in judicium V
P-Ln CIC 060 060r Kyrie eleison (no music)* Li
P-Ln CIC 060 060v-061r Sancta maria succurre miseris A
P-Ln CIC 060 061v textless (Ladainha a duo)* Li
P-Ln CIC 060 068v-069r Benedicamus Domino BD
P-Ln CIC 060 069v-070r Benedicamus Domino BD
P-Ln CIC 060 070v-071r Benedicamus Domino BD
P-Ln CIC 060 071v-072r Benedicamus Domino BD
Siglum: 
P-Ln CIC 060
Shelfmark: 
CIC 060
Source type: 
Category: 
Document type: 
Origin: 
Main place of use: 
Date: 
[c.1570]
Century: 
Type of notation: 
Type of script: 
Contents: 
Polyphony: 1 Alleluia; 5 Benedicamus Domino; 3 Canticles (incomplete Magnificat settings); 3 Cantigas; 1 Lamentation; 1 Litany; 12 Motets; 1 Romance; 15 Villancicos (=42) Chant: 1 Lamentation; 1 Lesson; 5 Antiphons; 1 Litany; 5 Responsories with their verses; 1 unidentified (=14)
Foliation: 
70; fols. 6 and 63 are missing
Gathering: 
a8 (lacks 1 fol. after fol. 5), b-g8, h8 (lacks 1 fol. after fol. 62), i8
Page layout: 
Choirbook format. 96 × 146 mm
Condition of document: 
Mostly good, except for fols. 57v-61r, which show severe ink corrosion
Watermarks: 

1 type of paper; 3 watermarks (see Morais, p. ix)

Bindings: 
16th-century covers of dark brown leather with gold tooling
Decoration: 
Ample decoration in the form of initial letters, some of them gilded, and floral-pattern borders (Rees 1994-95, p. 57)
Inscriptions: 

‘Primeiro tema de composição de muzica/por Luis Augusto de Quadros Portugal/Absente Proffessore suo (nomine benemerito)/Joaquimo Perssona Silva Arnaut’ (fol. 1r) by a 19th-century hand (cf. Morais, p. viii)

Fol. 25: pouncing of initial ‘H’.

Remarks: 

Main body (fols. 1v-52r) by 1 original scribe; additions from fol. 52v on by at least 4 different later hands; several lusisms in Spanish texts (see Morais, p. ix). No pieces have composer attribution.

Main body contents divided in 2 parts: sacred works (fols. 1v-32r) and secular works (fols. 32v-52r). Rees dates this manuscript to c.1530-c.1550 (see Rees 1994-95, p. 63).

Later additions: Chants added in fols. 52v-55r in mensural (white) notation. A different scribe added a series of chants and texts in fols. 55v-60r in square notation, under the heading ‘Ordo ad inumandum fratrem mortuum’, taken from the Cistercian ritual (see Ordo ad inungendum infirmum…, 1555). Yet another scribe added 4 polyphonic Benedicamus Domino in fols. 68v-72r. These 3 sets of additions probably date from the late 16th century or the early 17th century (see Rees 1995, pp. 435-436). One or several 19th-century hands added textless fragments on fols. 46r, 48v-49r, and 61v.

Blank folios: 5v, 62r-68r, 72v (staves drawn for four-part piece; first line of each voice part indented).

References: 

Ordo ad invngendum infirmum & ad communica(n)dum Atq(ue) ad mortuum sepeliendum. Secu(m)dum Cisterciensis ordinis consuetudinem, Conimcricae [sic] (Coimbra), 1555

MORAIS, Manuel, Vilancetes, cantigas e romances do século XVI, Portugaliae Musica 47, Lisboa: FCG, 1986, pp. viii-x

REES, Owen, ‘Text and Music in LisbonBN 60’, in Revista de Musicología, vol. XVI n.º 3, Sociedad Española de Musicología, 1993, pp. 49-67

REES, Owen, ‘Manuscript Lisbon, Biblioteca Nacional, CIC 60: The repertories and their context’, in Revista Portuguesa de Musicologia 4-5, Lisboa, 1994-95, pp. 53-93

REES, Owen, Polyphony in Portugal, c. 1530-c. 1620. Sources from the Monastery of Santa Cruz, Coimbra, New York & London Garland, 1995, pp. 444-436

KREITNER, Kenneth, The Church Music of Fifteenth-Century Spain, Woodbridge: Boydell Press, 2004

FERREIRA, Manuel Pedro, Antologia de Música em Portugal na Idade Média e no Renascimento, vol. 2, Lisboa: Arte das Musas/CESEM, 2008, pp. 56-57, 60-63

Completed on: 
2016-11-30