P-Cug (Coimbra) Biblioteca Geral da Universidade MM 012

Displaying 1 - 74 of 74
Source Folio Incipit Feast Office Genre Position
P-Cug MM 012 001v-007r + 008v-018r [Missa Salve regina] Mi Anonymous
P-Cug MM 012 007v-008r Alleluia Al Pregador
P-Cug MM 012 018v-019r Amen (Mass responses) rp Anonymous
P-Cug MM 012 019v-022r + 024v-032r [Missa sine nomine] Mi Anonymous
P-Cug MM 012 023v-024r Alleluia Al Pires, Vasco
P-Cug MM 012 032v-033r [Alleluia, Primus ad Sion] Al Escobar, Pedro de
P-Cug MM 012 033v-034r [Alleluia] Al Paiva, Heliodoro de, Dom
P-Cug MM 012 034v-035r Precor te domine Mo Peñalosa, Francisco de
P-Cug MM 012 035v-037r Salve Regina ABV Bento, Dom
P-Cug MM 012 037v-042r + 043v-053r [Missa del ojo] Mi Peñalosa, Francisco de
P-Cug MM 012 042v-043r Alleluia Al Anonymous
P-Cug MM 012 053v-059r + 060v-069r [Missa sine nomine] Mi Escobar, Pedro de
P-Cug MM 012 059v-060r Alleluia [Christus resurgens] Al Anonymous
P-Cug MM 012 069v-070r Alleluia Al Bruxel
P-Cug MM 012 070v-071r [Alleluia] Al Paiva, Heliodoro de, Dom
P-Cug MM 012 071v-072r Alleluia Al Moran, Luis
P-Cug MM 012 072v-073r [Christe redemptor] H Anonymous
P-Cug MM 012 073v-080r Kyrie-Gloria [Missa sine nomine] Mi Anonymous
P-Cug MM 012 080v-081r Et incarnatus est Cr Anonymous
P-Cug MM 012 080v-081r Et incarnatus est Cr Anonymous
P-Cug MM 012 081v-089r Credo-Sanctus-Agnus Dei [Missa sine nomine] Mi Tordesillas
P-Cug MM 012 089v-090r Ave maris stella H Anonymous
P-Cug MM 012 090v-091r Kyrie Ky Tordesillas
P-Cug MM 012 091v-093r Et in terra (Gloria) Gl Ribera, Antonio de
P-Cug MM 012 093v Patrem (Credo) Cr Tordesillas
P-Cug MM 012 094v-100r Kyrie-Gloria [Missa sine nomine] Mi Anonymous
P-Cug MM 012 100v-101r Benedicamus domino BD Anonymous
P-Cug MM 012 101v-102r Ave maris stella H Anonymous
P-Cug MM 012 102v-106r Credo MI Cr Anonymous
P-Cug MM 012 106v-107r Ave maris stella H Anonymous
P-Cug MM 012 107v-108r Hoc corpus Mo Anonymous
P-Cug MM 012 108v-109r [Alleluia] Al Anonymous
P-Cug MM 012 109v-110r Sicut erat Dox Anonymous
P-Cug MM 012 111v-120r [Missa sine nomine] Mi Anonymous
P-Cug MM 012 121v-127r Anima mea (Magnificat, tone 1) Ca Moran, Luis
P-Cug MM 012 127v-133r Et exultavit (Magnificat, tone 8) Ca Moran, Luis
P-Cug MM 012 133v-134r textless Anonymous
P-Cug MM 012 133v-134r [Benedicamus domino] BD Anonymous
P-Cug MM 012 134v-140r Et exultavit (Magnificat, tone 4) Ca Moran, Luis
P-Cug MM 012 140v-146r Et exultavit (Magnificat, tone 4) Ca Mouton, Jean
P-Cug MM 012 146v-152r Anima mea (Magnificat, tone 5) Ca Moran, Luis
P-Cug MM 012 152v-158r Et exultavit (Magnificat, tone 6) Ca Moran, Luis
P-Cug MM 012 158v-159r Pange lingua H Anonymous
P-Cug MM 012 159v-161r Et exultavit (Magnificat, tone 5) Ca Anonymous
P-Cug MM 012 161v-166r Anima mea (Magnificat, tone 4) Ca Peñalosa, Francisco de
P-Cug MM 012 166v-172r Et exultavit (Magnificat, tone 4) Ca Pires, Vasco
P-Cug MM 012 172v-173r [Veni creator] H Anonymous
P-Cug MM 012 173v-179r Et exultavit (Magnificat, tone 6) Ca Urrede, Juan de
P-Cug MM 012 179v-180r Sicut erat Dox Peñalosa, Francisco de
P-Cug MM 012 180v-186r Et exultavit (Magnificat, tone 6) Ca Anonymous
P-Cug MM 012 186v Et exultavit (Magnificat, tone 4) Ca Pires, Vasco
P-Cug MM 012 187r Et gloriamini omnes rp Anonymous
P-Cug MM 012 187v-188r Nunc dimittis (tone 5) F Anonymous
P-Cug MM 012 187v-188r Dixit dominus (tone 7) F Anonymous
P-Cug MM 012 187v-188r Dixit dominus (tone 8) F Anonymous
P-Cug MM 012 187v-188r In exitu Israel F Anonymous
P-Cug MM 012 188v-189r Sicut erat Dox Anonymous
P-Cug MM 012 189v-190r Resurgens Christus Mo Anonymous
P-Cug MM 012 190v-191r O bone Jesu Mo Anchieta, Juan de
P-Cug MM 012 191v-192r Domine Jesu Christe qui hora diei Mo Anchieta, Juan de
P-Cug MM 012 192v-193r Ave sanctissimum Mo Mondéjar/ Diaz
P-Cug MM 012 193v-194r Clamabat autem mulier Mo Escobar, Pedro de
P-Cug MM 012 194v-195r Fatigatus Jesus Mo Anonymous
P-Cug MM 012 195v-196r O Sacrum convivium Mo Alba, Alonso (Pérez) de
P-Cug MM 012 196v-198r O admirabile comercium Mo Illario, Juan
P-Cug MM 012 198v-200r Salve regina ABV Anonymous
P-Cug MM 012 200v-201r Gabriel angelus Mo Anonymous
P-Cug MM 012 201v-203r Memorare piissima Mo Anonymous
P-Cug MM 012 203v-205r Super flumina Babylonis (2 p. Quomodo cantabimus) Mo Anonymous
P-Cug MM 012 205v-207r Taedet animam meam Mo Anonymous
P-Cug MM 012 207v-208r Benedicamus domino BD Anonymous
P-Cug MM 012 208v-209r Benedicamus domino BD Anonymous
P-Cug MM 012 208v-209r Benedicamus domino BD Anonymous
P-Cug MM 012 209v-210r Deposuit potentes (Magnificat, tone 5) Ca Moran, Luis
Siglum: 
P-Cug MM 012
Shelfmark: 
MM 012
Source type: 
Subcategory of book: 
Category: 
Document type: 
Date: 
mid 16th century [c.1540-c.1550]
Century: 
Type of notation: 
Type of script: 
Material: 
Contents: 
10 Alleluias; 5 Benedicamus domino; 13 Canticles; 4 Credos; 3 Doxologies; 4 Fabordões; 1 Gloria; 6 Hymns; 1 Kyrie; 2 Marian antiphons; 8 Masses (3 incomplete); 1 Mass response; 14 Motets; 1 Response; 1 unidentified (=74)
Foliation: 
i + 209; original ink foliation, 1-35 and 37-210; fol.36 is missing.
Gathering: 
All gatherings now loose owing to poor condition of manuscript. Rees observes that present gatherings organized after music copying completed.
Page layout: 
Choirbook format. 523 x 390 mm.
Condition of document: 
Poor; considerable ink corrosion. Modern attempts at restoration by pasting tracing paper to some folios has exacerbated problem.
Watermarks: 

Chain-line measurements show that paper types related; watermarks fall into two groups (cf Rees 1995, 191). 7 paper types; 8 watermarks. Paper 1 has Briquet's sirene (mermaid) type; paper 4 has mark almost identical to Briquet #9597 (cf Rees 1995: 371-72 & 390-93).

Bindings: 
Old, broken (possibly original) covers of dark brown blind-tooled leather over heavy boards; 5 metal bosses on each cover (front and back), and remains of leather ties.
Decoration: 
Calligraphic initials in back or red ink added by music scribes and others. Boxed coloured initials, f. 35v.
Inscriptions: 

Latin canons in first Mass on f. 00 in red ink. 'Dom Bento can. Regul', f. 35v. 'DE.PENHALOSA', f. 37v. 'Escovar', f. 53v & 54. 'DE RIBEIRA' / 'RIBEIRA', f. 90v-91. 'Luis Morangam' f. 121v-133, 134v139, 146v-157v, 209v. 'Joam Monton', f. 140v-145v; 'Ex incerto autore', f. 159v-160v; 'De penhalosa', f.161v-165v; 'uasco pirez', f. 166v-170v'; 'Johannes vtrede sextus', f. 173v-179.

Remarks: 

Incomplete tabula added at start of manuscript after c. 1560 (cf Rees, p. 185). Eight copyists worked on this manuscript which was conceived as a single unit. Uniform musical and textual scripts; evidence of close collaboration between group. The copyists originally left blank openings between pieces. These mostly filled in by later copyists. Musical and textual scripts of the different scribes uniform. Index at beginning of manuscript, foliation, and titles added after manuscript completed at a later time by a scribe of MM 9. Evidence that this manuscript continued to be used by the capela of Santa Cruz until after 1560. Not all music was texted.

References: 

RIBEIRO, Mário de Sampayo, Os manuscritos musicais nos 6 e 12 da Biblioteca Geral da Universidade de Coimbra. Achegas para a história da música em Portugal 5, Coimbra, 1941.

REES, Owen, Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra, New York & London / Garland, 1995, pp. 185-94, 371-72 & 390-93.

KREITNER, Kenneth, 'Spain Discovers the Mass', Journal of the Royal Musical Association 139/2 (2014), pp. 261-302