P-Cug (Coimbra) Biblioteca Geral da Universidade MM 0012

Displaying 1 - 74 of 74
Source Folio Incipit Feast Occasion Genre Cantus ID
P-Cug MM 0012 001v-007r + 008v-018r [Missa Salve regina] Mi Anonymous
P-Cug MM 0012 007v-008r Alleluia Al Anonymous
P-Cug MM 0012 018v-019r Amen (Mass responses) rp Anonymous
P-Cug MM 0012 019v-022r + 024v-032r [Missa sine nomine] Mi Anonymous
P-Cug MM 0012 023v-024r Alleluia Al Pires, Vasco
P-Cug MM 0012 032v-033r [Alleluia, Primus ad Sion] Al Escobar, Pedro de
P-Cug MM 0012 033v-034r [Alleluia] Al Paiva, Heliodoro de, Dom
P-Cug MM 0012 034v-035r Precor te Domine Mo Peñalosa, Francisco de
P-Cug MM 0012 035v-037r Salve Regina ABV Bento, Dom
P-Cug MM 0012 037v-042r + 043v-053r [Missa El ojo] Mi Peñalosa, Francisco de
P-Cug MM 0012 042v-043r Alleluia Al Anonymous
P-Cug MM 0012 053v-059r + 060v-069r [Missa sine nomine] Mi Escobar, Pedro de
P-Cug MM 0012 059v-060r Alleluia Al Anonymous
P-Cug MM 0012 069v-070r Alleluia Al Bruxel
P-Cug MM 0012 070v-071r [Alleluia] Al Paiva, Heliodoro de, Dom
P-Cug MM 0012 071v-072r Alleluia Al Moran, Luis
P-Cug MM 0012 072v-073r [Christe redemptor] H Anonymous
P-Cug MM 0012 073v-080r Kyrie-Gloria [Missa sine nomine] Mi Anonymous
P-Cug MM 0012 080v-081r Et incarnatus est MI Cr Josquin des Prez
P-Cug MM 0012 080v-081r Et incarnatus est Cr Anonymous
P-Cug MM 0012 081v-089r Credo-Sanctus-Agnus Dei [Missa sine nomine] Mi Tordesillas
P-Cug MM 0012 089v-090r Ave maris stella H Anonymous
P-Cug MM 0012 090v-091r Kyrie Ky Tordesillas
P-Cug MM 0012 091v-093r Et in terra (Gloria) Gl Ribera, Antonio de
P-Cug MM 0012 093v Patrem (Credo) Cr Tordesillas
P-Cug MM 0012 094v-100r Kyrie-Gloria [Missa sine nomine] Mi Anonymous
P-Cug MM 0012 100v-101r Benedicamus Domino BD Anonymous
P-Cug MM 0012 101v-102r Ave maris stella H Anonymous
P-Cug MM 0012 102v-106r Credo MI Cr Anonymous
P-Cug MM 0012 106v-107r Ave maris stella H Anonymous
P-Cug MM 0012 107v-108r Hoc corpus Mo Anonymous
P-Cug MM 0012 108v-109r [Alleluia] Al Anonymous
P-Cug MM 0012 109v-110r Sicut erat Dox Anonymous
P-Cug MM 0012 111v-120r [Missa Baisez moy] MI Mi Roselli, Pietro
P-Cug MM 0012 121v-127r Anima mea (Magnificat, tone 1) Ca Moran, Luis
P-Cug MM 0012 127v-133r Et exultavit (Magnificat, tone 8) Ca Moran, Luis
P-Cug MM 0012 133v-134r textless Anonymous
P-Cug MM 0012 133v-134r [Benedicamus domino] BD Anonymous
P-Cug MM 0012 134v-140r Et exultavit (Magnificat, tone 4) Ca Moran, Luis
P-Cug MM 0012 140v-146r Et exultavit (Magnificat, tone 4) Ca Mouton, Jean
P-Cug MM 0012 146v-152r Anima mea (Magnificat, tone 5) Ca Moran, Luis
P-Cug MM 0012 152v-158r Et exultavit (Magnificat, tone 6) Ca Moran, Luis
P-Cug MM 0012 158v-159r Pange lingua H Anonymous
P-Cug MM 0012 159v-161r Et exultavit (Magnificat, tone 5) Ca Anonymous
P-Cug MM 0012 161v-166r Anima mea (Magnificat, tone 1) Ca Peñalosa, Francisco de
P-Cug MM 0012 166v-172r Et exultavit (Magnificat, tone 4) Ca Pires, Vasco
P-Cug MM 0012 172v-173r [Veni creator] H Anonymous
P-Cug MM 0012 173v-179r Et exultavit (Magnificat, tone 6) Ca Urrede, Juan de
P-Cug MM 0012 179v-180r Sicut erat Dox Peñalosa, Francisco de
P-Cug MM 0012 180v-186r Et exultavit (Magnificat, tone 8) Ca Anonymous
P-Cug MM 0012 186v Et exultavit (Magnificat, tone 4) Ca Pires, Vasco
P-Cug MM 0012 187r Et gloriamini omnes rp Anonymous
P-Cug MM 0012 187v-188r Nunc dimittis (tone 5) F Anonymous
P-Cug MM 0012 187v-188r Dixit dominus (tone 7) F Anonymous
P-Cug MM 0012 187v-188r Dixit dominus (tone 8) F Anonymous
P-Cug MM 0012 187v-188r In exitu Israel F Anonymous
P-Cug MM 0012 188v-189r Sicut erat Dox Anonymous
P-Cug MM 0012 189v-190r Resurgens Christus Mo Anonymous
P-Cug MM 0012 190v-191r O bone Jesu Mo Anchieta, Juan de
P-Cug MM 0012 191v-192r Domine Jesu Christe qui hora diei Mo Anchieta, Juan de
P-Cug MM 0012 192v-193r Ave sanctissimum Mo Mondéjar / Díaz
P-Cug MM 0012 193v-194r Clamabat autem mulier Mo Escobar, Pedro de
P-Cug MM 0012 194v-195r Fatigatus Jesus Mo Anonymous
P-Cug MM 0012 195v-196r O sacrum convivium Mo Alba, Alonso (Pérez) de
P-Cug MM 0012 196v-198r O admirabile comercium Mo Illario
P-Cug MM 0012 198v-200r Salve regina ABV Anonymous
P-Cug MM 0012 200v-201r Gabriel angelus Mo Anonymous
P-Cug MM 0012 201v-203r Memorare piissima Mo Escobar, Pedro de
P-Cug MM 0012 203v-205r Super flumina Babylonis Mo Anonymous
P-Cug MM 0012 205v-207r Taedet animam meam Mo Anonymous
P-Cug MM 0012 207v-208r Benedicamus Domino BD Anonymous
P-Cug MM 0012 208v-209r Benedicamus Domino BD Anonymous
P-Cug MM 0012 208v-209r Benedicamus Domino BD Anonymous
P-Cug MM 0012 209v-210r Deposuit potentes (Magnificat, tone 5) Ca Moran, Luis
Siglum: 
P-Cug MM 0012
Shelfmark: 
MM 0012
Source type: 
Subcategory of source: 
Category: 
Document type: 
Date: 
[c.1540-c.1550]
Type of notation: 
Type of script: 
Material: 
Contents: 

10 Alleluias; 5 Benedicamus Domino; 13 Canticles; 4 Credos; 3 Doxologies; 4 Fabordões; 1 Gloria; 6 Hymns; 1 Kyrie; 2 Marian antiphons; 8 Masses (3 incomplete); 1 Mass responses; 14 Motets; 1 Response; 1 unidentified (=74)

Foliation/Pagination: 
i + 209; original ink foliation, fols 001-035, 037-210; fol. 36 is missing
Gathering: 
All gatherings now loose owing to poor condition of manuscript. Rees observes that present gatherings organized after music copying completed
Page layout: 
Choirbook format, 523 x 390 mm.
Condition of document: 
Poor; considerable ink corrosion. Modern attempts at restoration by pasting tracing paper to some folios has exacerbated problem
Watermarks: 

Chain-line measurements show that paper types related; watermarks fall into two groups (cf. Rees 1995, p. 191). 7 paper types; 8 watermarks. Paper 1 has Briquet's sirene (mermaid) type; paper 4 has mark almost identical to Briquet #9597 (cf. Rees 1995, pp. 371-72, 390-93).

Bindings: 
Old, broken (possibly original) covers of dark brown blind-tooled leather over heavy wooden boards; 5 metal bosses on each cover (front and back), and remains of leather ties
Decoration: 
Calligraphic initials in black or red ink added by music scribes and others. Boxed coloured initials, fol. 035v
Inscriptions: 

Latin canonic instructions in first Mass on fol. 008v in red ink; 'Dom Bento can. Regul.', fol. 035v; 'DE.PENHALOSA', fol. 037v; 'Escouar', fols. 053v, 054r; 'DE RIBEIRA' / 'RIBEIRA', fols. 090v-091r; 'Luis Morangam', fols. 121v-133r, 134v, 139r, 146v-157v, 209v; 'Joam Monton', fols. 140v-145v; 'Ex incerto autore', fols. 159v-160v; 'De penhalosa', fols. 161v-165v; 'Uasco pirez', fols. 166v-170v; 'Joannes vtrede', fols. 173v-179r

Remarks: 

Incomplete tabula added at start of manuscript after c.1560 (cf. Rees, p. 185). Eight copyists worked on this manuscript which was conceived as a single unit. Uniform musical and textual scripts; evidence of close collaboration between group. The copyists originally left blank openings between pieces. These mostly filled in by later copyists. Musical and textual scripts of the different scribes uniform. Index at beginning of manuscript, foliation, and titles added after manuscript completed at a later time by a scribe of P-Cug MM 9. Evidence that this manuscript continued to be used by the cappella of Santa Cruz until after 1560. Not all music was texted

References: 

RIBEIRO, Mário de Sampaio, Os manuscritos musicais n.os 6 e 12 da Biblioteca Geral da Universidade de Coimbra: Contribuição para um catálogo definitivo, Achegas para a história da música em Portugal 5 (Coimbra, Biblioteca Geral da Universidade, 1941)

REES, Owen, Polyphony in Portugal c. 1530 – c. 1620: Sources from the Monastery of Santa Cruz, Coimbra (New York & London, Garland, 1995), pp. 185-94, 371-72, 390-93

KREITNER, Kenneth, 'Spain Discovers the Mass', Journal of the Royal Musical Association, 2014, 139/2, pp. 261-302

Indexed by: 
Description author/s: