P-Cug (Coimbra) Biblioteca Geral da Universidade MM 025
P-Cug MM 0025
27 Tenebrae Responsories
Scribe added black ink initials, some calligraphic, but mostly simple Roman majuscules. Red & green intials, fols 07v-08r, possibly in a later hand
Inscriptions appear on various folios next to the bass part, indicating modal position (cues for organist)
Good
Choirbook format; 424 x 280 mm
35 + i
3 paper types; 3 watermarks. Mark on paper 1 identical to mark 3 in P-Cug MM 33; mark 2 very similar to Briquet #4844, and identical to mark 6 in P-Cug MM 33 (cf Rees 1995: 373 & 394)
Old (posibly original) soft cover of beige leather, with remains of leather ties
Remains of original front flyleaf. Original numbering of pieces in brown ink; each of the three sets of Holy Week responsories received separate numeration. Modern pencil foliation, fols 1-19, 21-36. All three edges of folios have red colouring similar to that on P-Cug MM 26
REES, Owen (1995), Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra (New York & London / Garland), pp. 201-04, 373 & 394
Musical Items
| Folio | Seq | Incipit Sort descending | Genre | Composer |
|---|---|---|---|---|
| 018v-020r | 014 | Tenebrae facte sunt | R | Anonymous |
| 018v-020r | 014 | Tenebrae facte sunt | R | Anonymous |
| 022v-023r | 016 | Tradiderunt me | R | Anonymous |
| 002v-003r | 002 | Tristis est anima mea | R | Anonymous |
| 011v-012r | 008 | Una hora | R | Anonymous |
| 008v-009r | 006 | Unus ex discipulis | R | Anonymous |
| 014v-015r | 011 | Velum templi | R | Anonymous |
| 015v-016r | 012 | Vinea mea | R | Anonymous |