P-Cug (Coimbra) Biblioteca Geral da Universidade MM 0048
P-Cug MM 0048
Fair; ink blots in fols. 78r-81v, with some loss of text in fols. 80v-81r
Open score format. 320 × 205 mm
ii + 121 + ii; old, possibly original, brown ink foliation 1-12, 14-62, 64-66, 68, 70-117, 119-124, 126-127; foliation omitted numbers 13 and 63; fol. 67, 69, 118, and 125 are missing
a2, b1+10, c2, d10+1, e10, f1+8+1, g-i10 (i lacks 1 fol. before and after fol. 68), j-n10 (n lacks second leaf, that is fols. 118 and 125), o1+2 (last 2 fols., [i] and [ii], form the back flyleaf). See also Rees (1995), pp. 278-80 and Table 10
Old, possibly original, soft covers made of a parchment folio apparently from a Latin dictionary; remains of leather ties
KASTNER, Macario Santiago, ‘Los manuscritos musicales n. 48 y 242 de la Biblioteca General de la Universidad de Coimbra’, in Anuario Musical, vol. 5, Barcelona: Instituto Español de Musicología, 1950, pp. 78-96
REES, Owen, Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra, New York & London: Garland, 1995, pp. 271-82, 338-60, and 378
NELSON, Bernadette, ‘The Chansons of Thomas Crecquillon and Clemens non Papa in Sources of Instrumental Music in Spain and Portugal, and Sixteenth-Century Keyboard Traditions’, in Beyond Contemporary Fame. Reassessing the Art of Clemens non Papa and Thomas Crecquillon, ed. Eric Jas, Turnhout: Brepols Publishers n.v., 2005, pp. 167-89
NELSON, Bernadette, '"D'oû vient cela?" - Franco-Flemish influences in English and Spanish keyboard music during the sixteenth century, in Cinco Siglos de Música de Tecla Española | FIve Centuries of Spanish Keyboard Music, ed. Luisa Morales (Garrucha: LEAL, 2007), pp. 47-69
REES, Owen & NELSON, Bernadette (ed.), Cristóbal de Morales: Sources, Influences, Reception, Woodbridge: Boydell Press, 2007
OLIVEIRA, Filipe M., 'A génese do tento para instrumentos de tecla no testemunho dos manuscritos P-Cug MM 48 e MM 242 (com uma edição crítica dos ricercari de Jacques Buus e das suas versões recompostas)', Dissertação de Doutoramento, Universidade de Évora, 2011, pp. 7-16, 24-31, 34-39
NELSON, Bernadette, 'Bermudo's masters and models of excellence for keyboard players in sixteenth-century Spain', Revista de Musicologia 39/1 (2016), pp. 77-115