Livro dos defuntos P-Cug (Coimbra) Biblioteca Geral da Universidade MM 0034

Displaying 1 - 35 of 35
Source Folio Incipit Feast Occasion Genre Cantus ID
P-Cug MM 0034 001r Regem cui omnia vivunt Pro Defunctis M I Anonymous
P-Cug MM 0034 001v-004r Nequando rapiat ut leo animam [Domine Pro Defunctis PS Anonymous
P-Cug MM 0034 004v-006r Parce mihi domine Pro Defunctis L Cristo, Pedro de, Dom
P-Cug MM 0034 006v-008r Resuscitasti a monumento foetidum (Qui lazarum) Pro Defunctis R Anonymous
P-Cug MM 0034 007v-008r Kyrie eleison Pro Defunctis Ky Anonymous
P-Cug MM 0034 008v-011r Dominus protector vitae meae [Dominus illuminatio Pro Defunctis PS Anonymous
P-Cug MM 0034 011v-013r Quantas habeo (Responde mihi) Pro Defunctis L Anonymous
P-Cug MM 0034 013v-014r Ne recorderis Pro Defunctis R Anonymous
P-Cug MM 0034 014v-017r Ita desiderat (Quaemadmodum desiderat cervus) Pro Defunctis PS Anonymous
P-Cug MM 0034 017v-019r Quare de vulva eduxisti me Pro Defunctis L Anonymous
P-Cug MM 0034 019v-021r Libera me Domine Pro Defunctis R Fernandes, Aires
P-Cug MM 0034 021v-024r Dona eis Domine (Requiem aeternam) Pro Defunctis MI I Bernal
P-Cug MM 0034 024v-026r Dona eis Domine (Requiem aeternam) Pro Defunctis MI Gr Guerrero, Francisco
P-Cug MM 0034 026v-027r In memoria aeterna Pro Defunctis MI GrV Bernal
P-Cug MM 0034 027v-028r In memoria aeterna Pro Defunctis MI GrV Morales, Cristóbal de
P-Cug MM 0034 028v-030r Libera animas omnium fidelium (Domine Jesu Pro Defunctis MI Of Bernal
P-Cug MM 0034 030v-032r Hostias et preces Pro Defunctis MI Of Gomes (Correia), Fernão
P-Cug MM 0034 032v-033r Sanctus Pro Defunctis MI Sa Bernal
P-Cug MM 0034 033v-034r Circumdederunt me Pro Defunctis Mo Trosilho, Bartolomeu
P-Cug MM 0034 034v-035r Heu mihi domine Pro Defunctis Mo Lopes, António
P-Cug MM 0034 035v-036r Qui tollis (Agnus Dei) Pro Defunctis MI Ag Bernal
P-Cug MM 0034 036v-037r Luceat eis domine (Lux aeterna) Pro Defunctis MI Cm Bernal
P-Cug MM 0034 037v-038r Aeternam dona eis (Requiem) Pro Defunctis MI I Mouro, Francisco
P-Cug MM 0034 037v-039r Kyrie eleison Pro Defunctis MI Ky Mouro, Francisco
P-Cug MM 0034 038v-039r In memoria Pro Defunctis MI GrV García de Basurto, Juan
P-Cug MM 0034 039v-040r Ne recorderis Pro Defunctis R Torre, Francisco de la
P-Cug MM 0034 040v Jesu redemptor Pro Defunctis Li Moutinho, André
P-Cug MM 0034 040v Jesu redemptor Pro Defunctis Li Cruzada
P-Cug MM 0034 041r Requiescat in pace Pro Defunctis rp Anonymous
P-Cug MM 0034 041v-043r Parce mihi domine Pro Defunctis L Anonymous
P-Cug MM 0034 043v-044r Domine quando veneris Pro Defunctis R Anonymous
P-Cug MM 0034 044v Jesu redemptor Pro Defunctis Li Anonymous
P-Cug MM 0034 045r Qui tollis (Agnus Dei) Pro Defunctis MI Ag Anonymous
P-Cug MM 0034 045v Rex gloriae (Domine Jesu Christe)* Pro Defunctis MI Of Anonymous
P-Cug MM 0034 046r Sanctus* Pro Defunctis MI Sa Anonymous
Siglum: 
P-Cug MM 0034
Shelfmark: 
MM 0034
Source type: 
Subcategory of source: 
Category: 
Document type: 
Origin: 
Main place of use: 
Date: 
late 16th century (1570s or 1580s)
Type of notation: 
Material: 
Contents: 

Collection of music for Office and Mass for the Dead

Foliation/Pagination: 
45 fols
Gathering: 
First section (fols 1-40) consists of five gatherings (cf analysis in Rees 1995, pp. 240-41, Table 9). Second section added later by same person and who also ruled the margins and staves
Page layout: 
Choirbook format; 425 x 285 mm
Condition of document: 
Good
Watermarks: 

Type of paper used also appears in P-Cug MM 44 (cf Rees pp. 240, 376 and 403). Two watermarks found (illus. Rees 1995, p. 403)

Bindings: 
Old, possibly original, soft covers of light brown leather, with remains of leather ties
Decoration: 
Decorative initials
Inscriptions: 

Inscription on cover: Livro dos defuntos

Remarks: 

None of composers attributed in manuscript can be identified with the Monastery of Santa Cruz in Coimbra, although it seems likely that the manuscript originated in Coimbra. The music is exclusively Iberian in origin. The MS appears to have been prepared by a single person, who carried out the work in two main stages, corresponding to the first 40 folios and the last seven (now five). (Cf Rees 1995, p. 240.) The book appears to have been specifically compiled for performance; it also includes many written instructions to the singers. The MS gives the appearance of having been frequently used; it also has many drops of wax on the folios. (Further information in Rees 1995, pp. 241-42.)
Original ink foliation. Original fol. 046 is missing; the last surviving folio (fol. 047) not given a number. This last folio has been given the new folio number fol. 046r here (= fol. [047]: see Rees 1995, p. 239)

References: 

REES, Owen, Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra, New York & London / Garland, 1995, pp. 237-45, 376 & 403

ALVARENGA, João Pedro d', 'Patterns for Sixteenth- to Seventeenth-Century Portuguese Polyphonic Settings of the Requiem Mass', in Música e História: Estudos em Homenagem a Manuel Carlos de Brito, eds M.P, Ferreira and R. Cascudo, Lisbon, 2017, pp. 53-76

Name of the source: 
Livro dos defuntos
Completed on: 
2013-05-09
Description author/s: 
Reviewed by: