P-Cug (Coimbra) Biblioteca Geral da Universidade MM 0242

Displaying 1 - 100 of 273
Source Folio Incipit Feast Genre Cantus ID
P-Cug MM 0242 001r-001v [untitled] Anonymous
P-Cug MM 0242 001v-002v [untitled] Anonymous
P-Cug MM 0242 002v-003r [Ricercar] Instr Segni, Julio
P-Cug MM 0242 003r-005r [Ricercar] Instr Buus, Jacques
P-Cug MM 0242 005v-006r [untitled] Instr Carreira, António
P-Cug MM 0242 006r-007v [untitled] Instr Carreira, António
P-Cug MM 0242 007v-008v [untitled] Instr Carreira, António
P-Cug MM 0242 008v Con que la lavaré Instr Carreira, António
P-Cug MM 0242 009r-009v [untitled] Instr Carreira, António
P-Cug MM 0242 009v-010r Salve [regina]: secunda pars Instr Anonymous
P-Cug MM 0242 010r-011v [untitled] Instr Carreira, António
P-Cug MM 0242 011v-012v [untitled] Instr Carreira, António
P-Cug MM 0242 012v-013r [untitled] Instr Carreira, António
P-Cug MM 0242 013r-013v [Tiento del primer tono] Instr Cabezón, Antonio de
P-Cug MM 0242 014r-014v Canção Instr Anonymous
P-Cug MM 0242 015r-016r [untitled] Instr Carreira, António
P-Cug MM 0242 016r-018r [Ricercar] Instr Buus, Jacques
P-Cug MM 0242 018v-020r [Ricercar] Instr Buus, Jacques
P-Cug MM 0242 020r-021v [Ricercar] Instr Buus, Jacques
P-Cug MM 0242 021v-023v [Ricercar] Instr Buus, Jacques
P-Cug MM 0242 023v-025r [Ricercar] Instr Buus, Jacques
P-Cug MM 0242 025r-026v [Ricercar] Instr Buus, Jacques
P-Cug MM 0242 027r-028r [untitled] Instr Anonymous
P-Cug MM 0242 028v-029r [untitled] Instr Anonymous
P-Cug MM 0242 029r-029v [untitled] Instr Carreira, António
P-Cug MM 0242 029v-030v [untitled] Instr Carreira, António
P-Cug MM 0242 030v-031v [untitled] Instr Carreira, António
P-Cug MM 0242 031v [untitled] Instr Carreira, António
P-Cug MM 0242 032r-032v Je prens en grey Instr Anonymous
P-Cug MM 0242 032v-033r Veni redemptor Instr Anonymous
P-Cug MM 0242 033r-034r Salve regina Instr Cabezón, Antonio de
P-Cug MM 0242 034r-034v [Recercata Prima sopra O Felici Occhi Instr Ortiz, Diego
P-Cug MM 0242 034v-035r [Recercata Seconda sopra il medesimo Madrigale] Instr Ortiz, Diego
P-Cug MM 0242 035r-036r [Recercata Terza sopra il medesimo Madrigale] Instr Ortiz, Diego
P-Cug MM 0242 036r-036v [Recercata Prima sopra Doulce Memoire] Instr Ortiz, Diego
P-Cug MM 0242 037r-037v [Recercata Seconda sopra la mides[i] Instr Ortiz, Diego
P-Cug MM 0242 037v-038v [Recercata Terza sopra la medesima canzone] Instr Ortiz, Diego
P-Cug MM 0242 038v-039v [untitled] Instr Anonymous
P-Cug MM 0242 039v-040v [untitled] Instr Carreira, António
P-Cug MM 0242 040v [untitled] Instr Carreira, António
P-Cug MM 0242 041r-042v Cum deambularet dominus (2 p. Vocem tuam Mo Crecquillon, Thomas
P-Cug MM 0242 042v-044r Versa est in luctum (2 p. Cutis Mo Anonymous
P-Cug MM 0242 044r-046r Ecce odor filii mei (2 p. Esto Mo Hesdin, Nicolle de Celliers de
P-Cug MM 0242 046r-047r Gregem tuum pastor Mo Anonymous
P-Cug MM 0242 047r-048v Vide Domine afflictionem (2 p. Sed veni Mo Clemens non Papa, Jacobus
P-Cug MM 0242 048v-050v Peccantem me quotidie (2 p. Deus in Mo Clemens non Papa, Jacobus
P-Cug MM 0242 050v-052v Cecilia virgo gloriosa (2 p. Biduanis ac Mo Clemens non Papa, Jacobus
P-Cug MM 0242 052v-054r Haec est virgo sapiens (2 p. Audi Mo Geszin, Nicolaus
P-Cug MM 0242 054v-056r Non intres in iudicium (2 p. Non Mo Anonymous
P-Cug MM 0242 056r-057v + 059r Nunc enim si centrum (2 p. In Mo Manchicourt, Pierre de
P-Cug MM 0242 059r-059v +058r-058v +060r Cor mundum crea in me, Deus (2 Mo Crecquillon, Thomas
P-Cug MM 0242 060r-061v Pater peccavi in caelum (2 p. Quanti Mo Conseil, Jean
P-Cug MM 0242 061v-062v Domine Jesu Christe Mo Manchicourt, Pierre de
P-Cug MM 0242 062v Hodie nata est Virgo* Mo Gombert, Nicolas
P-Cug MM 0242 063r-063v textless Mo Anonymous
P-Cug MM 0242 064r-064v Congratulamini mihi Mo Clemens non Papa, Jacobus
P-Cug MM 0242 064v-065v O Rex gloriae (2 p. Ne dereliquas Mo Guyot, Jean
P-Cug MM 0242 065v-066v Congratulamini mihi (2 p. Tulerunt dominum meum) Mo Anonymous
P-Cug MM 0242 066v-067v Alleluia noli flere Maria Mo Mouton, Jean
P-Cug MM 0242 067v-068r Immolabit hedum (2 p. Pascha nostrum) Mo Guyot, Jean
P-Cug MM 0242 068v-069r Magi veniunt ab oriente (2 p. Interrogabit Mo Larchier, Jean
P-Cug MM 0242 069r-070v Dilectus meus descendit (2 p. Revertere dilecte Mo Manchicourt, Pierre de
P-Cug MM 0242 070v-071v Quae est ista (2 p. Quae est Mo Crecquillon, Thomas
P-Cug MM 0242 071v-072v Laudemus omnes dominum Mo Gallus, Joannes
P-Cug MM 0242 072v-074r Jubilate Deo omnis terra (2 p. Populus Mo Troianus, Anthonius
P-Cug MM 0242 074r-075r Adiutor meus in oportunitatibus (2 p. Adiutor Mo Rocourt, Pierre de
P-Cug MM 0242 075r-075v Clamantium ad te Deus Mo Latre, Petit Jean de
P-Cug MM 0242 076r-076v Audiam domine vocem laudis tuae Mo Anonymous
P-Cug MM 0242 076v-077v Domine clamavi ad te (2 p. Vide Mo Clemens non Papa, Jacobus
P-Cug MM 0242 077v-078v Delectare in domino Mo Crecquillon, Thomas
P-Cug MM 0242 078v-079r Textless Anonymous
P-Cug MM 0242 079r-079v Vous scavez bien madame Ch Anonymous
P-Cug MM 0242 079v-080v Textless Anonymous
P-Cug MM 0242 081r Primus Tonus Instr Bermudo, Juan
P-Cug MM 0242 081v-082r quartus modus Instr Bermudo, Juan
P-Cug MM 0242 082r-082v Sextus modus Instr Bermudo, Juan
P-Cug MM 0242 082v-083r Octavus modus Instr Bermudo, Juan
P-Cug MM 0242 083r-084r Factus est repente Mo Clemens non Papa, Jacobus
P-Cug MM 0242 084r-084v Virgines prudentes Mo Clemens non Papa, Jacobus
P-Cug MM 0242 084v-085r Videntes autem stellam Mo Waelrant, Hubert
P-Cug MM 0242 085r-085v Delectare in domino Mo Anonymous
P-Cug MM 0242 086r-086v Beata es Virgo Maria Mo Clemens non Papa, Jacobus
P-Cug MM 0242 086v-087v Tristis est anima mea Mo Tubal, Adrian
P-Cug MM 0242 087v-088v Descendit angelus domini Mo Clemens non Papa, Jacobus
P-Cug MM 0242 088v Ave maris stella H Anonymous
P-Cug MM 0242 089r [Gabriel archangelus] Mo Guerrero, Francisco
P-Cug MM 0242 089r-089v Dulcissima Maria (2 p. Audi nos sanctissima) Mo Guerrero, Francisco
P-Cug MM 0242 090r-090v O crux benedicta Mo Guerrero, Francisco
P-Cug MM 0242 090v-091r Veni Domine Mo Guerrero, Francisco
P-Cug MM 0242 091v-092r Dedisti Domine (I) (2 p. Vidit supra Mo Guerrero, Francisco
P-Cug MM 0242 092r-092v Inter vestibulum et altare Mo Anonymous
P-Cug MM 0242 093r-093v Impulsus eversus sum Mo Clemens non Papa, Jacobus
P-Cug MM 0242 094r-094v [untitled] Instr Paiva, Heliodoro de, Dom
P-Cug MM 0242 094v-096r Quasi cedrus (2 p. Tota pulchra es) Mo Guerrero, Francisco
P-Cug MM 0242 096r-097r Quae est ista (2 p. Surge propora) Mo Guerrero, Francisco
P-Cug MM 0242 097r-097v Textless Instr Paiva, Heliodoro de, Dom
P-Cug MM 0242 097v Textless Instr Paiva, Heliodoro de, Dom
P-Cug MM 0242 098r-098v Dum complerentur Mo Anonymous
P-Cug MM 0242 098v-099v Te Deum laudamus TD Anonymous
P-Cug MM 0242 100r-100v In domino confido Mo Jacquet of Mantua
Siglum: 
P-Cug MM 0242
Shelfmark: 
MM 0242
Source type: 
Subcategory of source: 
Category: 
Document type: 
Date: 
Concordances suggest most of the copying was completed by c.1560, though one of the paper types is also found in P-Cug, MM 70 (post-1570; see Rees (1995), pp. 379, 381–2)
Material: 
Foliation/Pagination: 
184 + i fols
Gathering: 
Irregular gathering structure comprised of 23 gatherings. The following collation, revising slightly the collation shown in Rees (1995), pp. 339-41 (Table 14), is based on an examination conducted in November 2020: A8 (fols. 1–8) Aa1 (fol. 9) B8 (fols.10–17) C8 (fols.18–25) D6 (fols. 26–31) E8 (fols. 32–39) F10 (fols. 40–49) G6 (fols. 50–55) H8 (fols. 56–63) I8 (fols. 64–71) J8 (fols. 72–79) K8 (fols. 80–87) L14 (fols. 88–101) M8 (fols. 102–109) N6 (fols. 110–114; N4 removed with stub fragments pasted to fol. 113) O8 (fols. 115–120; O2 and O7 removed leaving stubs, which explains why the music on fol. 116 is incomplete) P8 (fols. 121–127; P2 removed leaving stub) Pa1 (fol. 128) Q8 (fols. 129–136) (Q3–6 are of a different paper type compared to the surrounding leaves) R14 (fols. 137–150) S6 (fols. 151–155; fol. 151 is a single leaf pasted to fol. 152) T4 (fols. 156–158; T4 was removed; T1 is loose) U8 (fols. 159–167) V10 (fols. 168–177) W8 (fols. 178–[185]).
Page layout: 
score format
Condition of document: 
good
Watermarks: 

16 watermarks; 16 paper types: cf Rees (1995), pp. 339, 408-11

Bindings: 
Soft light beige leather covers (original?)
Inscriptions: 

Modern pencil inscription/ signature top fol. 001r: F Macedo. (Identifed as Francisco Lopes Lima de Macedo, c. 1859-1939; see Estudante (2019)). Main heading in MS, in additional to titles above pieces: ‘Vermudo Pera Tanger’ (fol. 81r); ‘Obras pera Tanger de Antonio cabeçon o cego’ (fol. 102r)

Remarks: 

With the exception of most of the copying on fols. 122r-125r, the MS is the work of a single copyist also responsible for most of the copying on fols 001v-025r, 030v-035r, 052v-054r, 057v-061r, 066v-120v and 122v-127v of P-Cug MM 48. The copyist wrote (in the first person, while remaining anonymous) an inscription at the rear of MM 48 indicating that he had begun to give lessons in keyboard playing to three of his colleagues at Santa Cruz de Coimbra in June 1559. The MS contains mainly a4 vocal works, apparently copied for study purposes (see Rees, 1995). A smaller quantity of instrumentally conceived music has also been included, mainly collected in two groups (fols 001-040v and 101v-119v).
Top and bottom edges of folios trimmed after 1973 (Rees, p. 325). This may have obscured original foliation. At least one folio missing from MS between fols 062 and 063, fol. 089, and between fols 115 and 116. Lower corners of first three folios torn off. Along with P-Cug MM 228 and MM 229, MM 242 was acquired by the organist Francisco Lopes Lima de Macedo (c.1859-1939) in the nineteenth century. It remained in private hands until it was acquired in the 1940s (with financial backing from the Acção Cultural das Fábricas Aleluia (Carlos Aleluia) by Mário Sampayo Ribeiro (1898-1966) for the Polyphonia-Schola Cantorum choir, which donated it to the BGUC. (Label pasted inside front cover reads: POLYPHONIA (SCHOLA CANTORUM), with inscription: ‘oferta da Acção Cultural das Fábricas Aleluia, de Aveiro’)

References: 

ANGLÉS, Higinio (ed.), La Música en la Corte de Carlos V, Monumentos de la Música Española 2 (Barcelona, Consejo Superior de Investigaciones Científicas, Instituto Español de Musicología, 1944) [= MME 2]

KASTNER, Macario Santiago, ‘Los manuscritos musicales n. 48 y 242 de la Biblioteca General de la Universidad de Coimbra’, in Anuario Musical, vol. 5, Barcelona: Instituto Español de Musicología, 1950, pp. 78-96

BROWN, H.M., Instrumental Music Printed Before 1600: A Bibliography (Cambridge, MA, 1965) [= BrownI]

FERNANDES, Cremilde Rosado and KASTNER, Santiago (eds.), Antologia de Organistas do Século XVI, Portugaliae Musica 19 (Fundação Calouste Gulbenkian, Lisbon, 1969) [= PM 19]

KASTNER, Macário Santiago (ed.), Antonio de Cabezón und Zeitgenossen. Kompositionen für Tasteninstrumente, (Musikverlag W. Zimmermann, Frankfurt, 1973). [=Antonio de Cabezón und Zeitgenossen, ed. Kastner]

JACOBS, Charles (ed.), Gesamtausgabe der Werke von Antonio de Cabezón, vol. 5: Intabulationen und Opera Incerta (Institute of Mediaeval Music: Henryville, 1986). [= Cabezón, Gesamtausgabe, vol. 5]

REES, Owen, Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra (New York & London: Garland, 1995), pp. 325-64; 408-11

NELSON, Bernadette, ‘The Chansons of Thomas Crecquillon and Clemens non Papa in Sources of Instrumental Music in Spain and Portugal, and Sixteenth-Century Keyboard Traditions’, in Beyond Contemporary Fame. Reassessing the Art of Clemens non Papa and Thomas Crecquillon, ed. Eric Jas, Turnhout: Brepols Publishers n.v., 2005, pp. 167-89 [= Nelson, ‘The Chansons of Thomas Crecquillon’]

DOBBINS, Frank, and HAM, Martin, ‘Thomas Crecquillon: Chansons – Principal Sources and Concordances’, in Beyond Contemporary Fame. Reassessing the Art of Clemens non Papa and Thomas Crecquillon, ed. Eric Jas, Turnhout: Brepols Publishers n.v., 2005, pp. 347-85

NELSON, Bernadette, ‘”D’oû vient cela?” – Franco-Flemish influences in English and Spanish keyboard music during the sixteenth century’, in Cinco Siglos de Música de Tecla Española | Five Centuries of Spanish Keyboard Music. ed. Luisa Morales (Garrucha: LEAL, 2007), pp. 47-69

OLIVEIRA, Filipe M. de, ‘A génese do tento para instrumentos de tecla no testemunho dos manuscritos P-Cug MM 48 e MM 242 (com uma edição crítica dos ricercari de Jacques Buus e das suas versões recompostas)’, Dissertação de Doutoramento, Universidade de Évora, 2011 [= Oliveira, ‘A génese do tento’]

CRISÓSTOMO, Pedro, ‘António Carreira: 4 peças inéditas para orgão’, Masters thesis, 2 vols. (University of Évora, 2013). [= Crisóstomo, ‘António Carreira’]

OLIVEIRA, Filipe M. de, ‘Some aspects of P-Cug, MM 242: António Carreira’s keyboard tentos and fantasias and their close relationship with Jacques Buus’s ricercari from his Libro primo (1547)’, in Interpreting Historical Keyboard Music: Sources, Contexts and Performance, ed. Andrew Woolley and John Kitchen (Farnham: Ashgate, 2013), pp. 7-18.

OLIVEIRA, Filipe M. de, ‘The Verset and Fabordão Genres in The Context of Music Manuscript 242 from the Coimbra University Library’, Portuguese Journal of Musicology, new series, 2/1 (2015), pp. 41-60.

NELSON, Bernadette, ‘Bermudo’s masters and models of excellence for keyboard players in sixteenth-century Spain’, Revista de Musicologia 39/1 (2016), pp. 77-115

ESTUDANTE, Paulo, ‘História recente dos cartapácios da Universidade de Coimbra – Homenagem aos pioneiros da Musicologia Portuguesa’ / ‘Recent history of the cartapácios at the University of Coimbra – Tribute to the Pioneers of Portuguese Musicology’, Escola de Música da Sé de Évora: conferências, (Lisbon: Edições Colibri, 2019), pp. 105-137 / 139-178

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