P-Ln (Lisboa) Biblioteca Nacional de Portugal L.C. 246
P-Ln L.C. 246
1r In vigilia sancti Andree apostoli; 4r In festo conceptionis beate Marie; 7r In sancte Lucie virginis; 8r In festo expectationis beate Marie virginis; 10v In sancte Agnetis virginis; 13v In descensione beate Marie virginis; 16v In conversione sancti Pauli; 19r In sancte Agnetis secundo; In purificatione virginis Marie; 22r In sancte Agathe virginis et martiris; 25r In cathedra sancti Petri; 31r In festo sancti Gabrielis; 32v In annunciatione beate Marie virginis; 35v De pluribus martiribus sive de uno martire a Pascha usque ad Pentecosten; 39r In sanctorum apostolorum Philippi et Iacobi; 39v In inventione sancte Crucis; 42r In sancti Iohannis ante portam latinam; In apparitione sancti Michaelis; 47r De sancto Hieronymo; In vigilia nativitatis sancti Iohannis Baptiste; 50r In sanctorum martirum Iohannis et Pauli; 51v In vigilia apostolorum Petri et Pauli; 54r In commemoratione sancti Pauli; 57r In festo visitationis beate Marie virginis; 64r In sancte Marie Magdalene; 65r In festo sancti Iacobi apostoli; 69r In festo sancti Petri ad vincula; 71r In vigilia festi nivis; 74v In transfiguratione domini; 78r In vigilia sancti Laurenti; 81v In vigilia assumptionis; 84r In sancti Augustini; 89r In decollatione sancti Iohannis Baptiste; 90r In vigilia nativitatis beate Marie; 92v In exaltatione sancte crucis; 95v In dedicatione sancti Michaelis; 98v In festo sanctissimi patris nostri Hieronimi; 103r In festo omnium sanctorum; 106r In anniversario dedicationis ecclesie; 109r In sancti Martini episcopi et confessoris; 112v In festo presentationis beate Marie; 115v In sancte Cecilie virginis et martiris; 118v In sancti Clementis pape et martiris.
Square notation on four black lines, F and C clef, custos. The notation is limited to Marian antiphons on fol. 71r-v and 73r-74v.
Red and black initials; red rubrics.
Severely damaged, with several missing folios.
520 x 375 mm. Long lines. F. 74r: 20 mm < 420 mm > 80 mm x 50 mm < 275 mm > 50 mm.
Modern foliation in Arabic numbers and in black ink on the lower outer margin, probably written before the removal from the manuscript of the currently missing folios.
15 gatherings, originally quaternions, beginning with the hair side.
Leather binding on wooden boards; four bosses on the upper board and four on the lower board. Traces of two clasps. Parchment pastedowns from a 16th century Hymnal; parchment flyleaves taken from the same Antiphoner.