P-Ln (Lisboa) Biblioteca Nacional de Portugal L.C. 252
P-Ln L.C. 252
f. 5r - Asperges me; f. 06v - Vidi aquam; f. 9r - Kyrie tones; f. 37r - Gloria tones; f. 51v- Credo tones; f. 59x1r - Sanctus; f. 59x1v - Agnus Dei; f. 91r - Ite missa est; f. 93v - Deo gratias; f. 94v - Requiem Mass; f. 114v - Benedicamus domino
Good. Trimmed top margins without loss of contents. The following folios are missing: 1-4, 8, 16, 17, 19, 20, 23, 28-31,
473mm x 300mm x 55mm. F.12r: trimmed < 418mm > 66mm x 32mm < 215mm > 40mm (largura).
Faded foliation in Arabic numbering in black ink at the bottom right of each folio. A later numbering was added in pencil.
Leather over boards.
Troped (or Latin) Kyries
BJORK, David A., The Aquitanian Kyrie Repertory of the Tenth and Eleventh Centuries, Burlington, 2003.
CANDELARIA, Lorenzo, “Tropes for the Ordinary in a 16th-century chantbook from Toledo, Spain”, Early Music, vol. xxxiv, no4 (2006), pp. 587-600+603+605-611. Id., The Rosary Cantoral, Rochester: University of Rochester Press, 2008.
PRADO, Germán, Supplementum ad Kyriale - Ex Codicibus Hispanicis Excerptum, Paris: Typis Societatis S. Joannis Evangelistae, 1934.
TELLO RUIZ-PEREZ, Arturo, Transferencias del Canto Medieval: Los Tropos del “Ordinarium Missae” en Manuscritos Españoles, Madrid: Universidad Complutense de Madrid, 2006. Disponível em http://eprints.ucm.es/7758/1/T29576.pdf, e Transmisión del canto litúrgico en la Edad Media. Los tropos del Ordinarium Missae en España, 2 vols., Saabrücken: LAP Lambert / Editorial Académica Española, 2011.