P-Gmas (Guimarães) Museu de Alberto Sampaio LC 14
ff. 1v-3v Hymns, ff. 4 Varia, ff. 8-104r Psalterium (Ad Matutinum 8, Ad Laudes 43v, Ad Primam 49, Ad Tertiam 61, Ad Sextam 66, Ad Nonam 69, Ad Vesperas 72v, Ad Completorium 99), ff.104v-108r Antiphons Post Completorium, ff. 108r-109v Tropes for the Benedicamus Domino, ff. 110-123v Hymns, ff. 124-125 Responsorium, ff. 125v 4-voice Salve Regina, ff. 126-128v Psalms, ff. 128v-129v In festo sancte Crucis, ff.130-163 Psalms, ff. 163-172r Hymns, ff. 172v- 173r Tones for the Benedicamus Domino, ff.173v-174r Stella caeli extirpavit, ff.174v-175r Ave virgo Gloriosa Barbara, ff.175v Antiphon Salve Regina
Fol. 123v: "este livro fez frey antonio pays na era do senhor de 1546"
This book has some additions: ff. 1-3, 29-32, 33-38, 168-169, 170r, 172v-173, 173v-174, 174v-175.
Folio 170 was glued over another book folio (which retains the original roman numbering).
Folio 125v has a polyphonic version for 4 voices in fauxbourdon and mensural notation of the antiphon "Salve Regina".
MAGALHÃES, Eduardo; "Os livros de Cantochão dos séculos XVI e XVII do Museu de Alberto Sampaio", Coimbra, Faculdade de Letras, 2001, pp.103-112. FERREIRA, Manuel Pedro (coord.), Harmonias do Céu e da Terra. A música nos manuscritos de Guimarães , Lisboa - Guimarães: CESEM / Museu de Alberto Sampaio, 2012, pp. 34-35.