P-Cug (Coimbra) Biblioteca Geral da Universidade MM 0242

ANGLÉS, Higinio (ed.), La Música en la Corte de Carlos V, Monumentos de la Música Española 2 (Barcelona, Consejo Superior de Investigaciones Científicas, Instituto Español de Musicología, 1944) [= MME 2]

KASTNER, Macario Santiago, ‘Los manuscritos musicales n. 48 y 242 de la Biblioteca General de la Universidad de Coimbra’, in Anuario Musical, vol. 5, Barcelona: Instituto Español de Musicología, 1950, pp. 78-96

BROWN, H.M., Instrumental Music Printed Before 1600: A Bibliography (Cambridge, MA, 1965) [= BrownI]

FERNANDES, Cremilde Rosado and KASTNER, Santiago (eds.), Antologia de Organistas do Século XVI, Portugaliae Musica 19 (Fundação Calouste Gulbenkian, Lisbon, 1969) [= PM 19]

KASTNER, Macário Santiago (ed.), Antonio de Cabezón und Zeitgenossen. Kompositionen für Tasteninstrumente, (Musikverlag W. Zimmermann, Frankfurt, 1973). [=Antonio de Cabezón und Zeitgenossen, ed. Kastner]

JACOBS, Charles (ed.), Gesamtausgabe der Werke von Antonio de Cabezón, vol. 5: Intabulationen und Opera Incerta (Institute of Mediaeval Music: Henryville, 1986). [= Cabezón, Gesamtausgabe, vol. 5]

REES, Owen, Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra (New York & London: Garland, 1995), pp. 325-64; 408-11

NELSON, Bernadette, ‘The Chansons of Thomas Crecquillon and Clemens non Papa in Sources of Instrumental Music in Spain and Portugal, and Sixteenth-Century Keyboard Traditions’, in Beyond Contemporary Fame. Reassessing the Art of Clemens non Papa and Thomas Crecquillon, ed. Eric Jas, Turnhout: Brepols Publishers n.v., 2005, pp. 167-89 [= Nelson, ‘The Chansons of Thomas Crecquillon’]

DOBBINS, Frank, and HAM, Martin, ‘Thomas Crecquillon: Chansons – Principal Sources and Concordances’, in Beyond Contemporary Fame. Reassessing the Art of Clemens non Papa and Thomas Crecquillon, ed. Eric Jas, Turnhout: Brepols Publishers n.v., 2005, pp. 347-85

NELSON, Bernadette, ‘”D’oû vient cela?” – Franco-Flemish influences in English and Spanish keyboard music during the sixteenth century’, in Cinco Siglos de Música de Tecla Española | Five Centuries of Spanish Keyboard Music. ed. Luisa Morales (Garrucha: LEAL, 2007), pp. 47-69

DODERER, Gerhard, ‘Os manuscritos MM 48 e MM 242 da Biblioteca da Universidade de Coimbra e a presença de organistas ibéricos‘, in Revista de Musicología, vol. 34, no. 2 (2011), pp. 43-62

OLIVEIRA, Filipe M. de, ‘A génese do tento para instrumentos de tecla no testemunho dos manuscritos P-Cug MM 48 e MM 242 (com uma edição crítica dos ricercari de Jacques Buus e das suas versões recompostas)’, Dissertação de Doutoramento, Universidade de Évora, 2011 [= Oliveira, ‘A génese do tento’]

CRISÓSTOMO, Pedro, ‘António Carreira: 4 peças inéditas para orgão’, Masters thesis, 2 vols. (University of Évora, 2013). [= Crisóstomo, ‘António Carreira’]

OLIVEIRA, Filipe M. de, ‘Some aspects of P-Cug, MM 242: António Carreira’s keyboard tentos and fantasias and their close relationship with Jacques Buus’s ricercari from his Libro primo (1547)’, in Interpreting Historical Keyboard Music: Sources, Contexts and Performance, ed. Andrew Woolley and John Kitchen (Farnham: Ashgate, 2013), pp. 7-18.

OLIVEIRA, Filipe M. de, ‘The Verset and Fabordão Genres in The Context of Music Manuscript 242 from the Coimbra University Library’, Portuguese Journal of Musicology, new series, 2/1 (2015), pp. 41-60.

NELSON, Bernadette, ‘Bermudo’s masters and models of excellence for keyboard players in sixteenth-century Spain’, Revista de Musicologia 39/1 (2016), pp. 77-115

ESTUDANTE, Paulo, ‘História recente dos cartapácios da Universidade de Coimbra – Homenagem aos pioneiros da Musicologia Portuguesa’ / ‘Recent history of the cartapácios at the University of Coimbra – Tribute to the Pioneers of Portuguese Musicology’, Escola de Música da Sé de Évora: conferências, (Lisbon: Edições Colibri, 2019), pp. 105-137 / 139-178