P-Cug (Coimbra) Biblioteca Geral da Universidade MM 0026

Displaying 1 - 31 of 31
Source Folio Incipit Feast Genre Cantus ID
P-Cug MM 0026 007r Qui tollis (Agnus Dei) Ag Anonymous
P-Cug MM 0026 007v-009r Ductus est Jesus Dom. 1 Quadragesimae Mo Anonymous
P-Cug MM 0026 009v-010r Assumpsit Jesus Dom. 2 Quadragesimae Mo Anonymous
P-Cug MM 0026 010v-012r Erat Jesus Dom. 3 Quadragesimae Mo Anonymous
P-Cug MM 0026 012v-014r Satiavit dominus Dom. 4 Quadragesimae Mo Anonymous
P-Cug MM 0026 014v-016r Dicebat Jesus Mo Anonymous
P-Cug MM 0026 015v + 016v + 018r [Textless]* Anonymous
P-Cug MM 0026 018r [Textless fragment] Anonymous
P-Cug MM 0026 018v-019r Thesaurizate vobis A Anonymous
P-Cug MM 0026 019v-021r In monte Oliveti Fer. 5 in Cena Dom. R Anonymous
P-Cug MM 0026 021v-023r Tristis est anima mea Fer. 5 in Cena Dom. R Anonymous
P-Cug MM 0026 023v-025r Amicus meus Fer. 5 in Cena Dom. R Anonymous
P-Cug MM 0026 025v-028r Eram quasi agnus Fer. 5 in Cena Dom. R Anonymous
P-Cug MM 0026 028r [Textless fragment] Anonymous
P-Cug MM 0026 028v + 030r Omnes amici mei* Fer. 6 in Parasceve R Anonymous
P-Cug MM 0026 030v-032r Tanquam ad latronem Fer. 6 in Parasceve R Anonymous
P-Cug MM 0026 032v-034r Tradididerunt me Fer. 6 in Parasceve R Anonymous
P-Cug MM 0026 034v-041v Non in die festo* Dom. 4 Quadragesimae Pa Anonymous
P-Cug MM 0026 043r-047r Non in die festo* Dom. 4 Quadragesimae Pa Anonymous
P-Cug MM 0026 047v-052r Ubi vis paremus R Anonymous
P-Cug MM 0026 052v-054r Ecce videmus R Anonymous
P-Cug MM 0026 054v-056r Judas mercator Fer. 5 in Cena Dom. R Anonymous
P-Cug MM 0026 056v-058r Unus ex discipulus R Anonymous
P-Cug MM 0026 058v-060r Una hora Fer. 5 in Cena Dom. R Anonymous
P-Cug MM 0026 060v-062r Velum templi R Anonymous
P-Cug MM 0026 062v-064r Seniores populi Fer. 5 in Cena Dom. R Anonymous
P-Cug MM 0026 064v-065r O vos omnes R Anonymous
P-Cug MM 0026 065v-066r Jerusalem surge R Anonymous
P-Cug MM 0026 067r Amavit eum dominus* R Anonymous
P-Cug MM 0026 067v Benedicamus domino BD (chant)
P-Cug MM 0026 068v-072r Gloria laus et honor Dom. in Palmis H Anonymous
Siglum: 
P-Cug MM 0026
Shelfmark: 
MM 0026
Source type: 
Subcategory of source: 
Category: 
Document type: 
Date: 
early 17th century
Type of notation: 
Material: 
Cursus: 
Contents: 

Music for Lent and Holy Week: Motets, Passions, Responsories for Tenebrae, misc.

Composers: 
Foliation/Pagination: 
ii + 63 + ii
Gathering: 
tbc
Page layout: 
Choirbook format
Watermarks: 

Four paper types identified (Rees 1995, pp. 373-74, 385-96), showing 4 watermarks. Watermark 1 similar to Briquet #7576

Bindings: 
Old, not original, covers of brown blind-tooled leather over boards added during rebinding between 1937 and 1941. This has severely disrupted original collation
Decoration: 
Edges of folios have red colouring similar to P-Cug MM 25 Black calligraphic initials; rubrics in red ink
Inscriptions: 

Many items headed with inscriptions denoting festal/ liturgical occasion in red ink (first half of MS, up to and including the first Passion (St Matthew) setting) and black ink (the remainder). Annotations and inscription in formal hand: 'Cantemus domino canticum nouum sicut cantaban patres / nostri in gaudio et exultatione qui laetitia' (fol. 072v)

Remarks: 

Original ink foliation (illegible where folios have suffered corrosion), from f. 007r. Fols 001-006, 017, 029, 042, most of fol. 043 are missing (cf Rees 1995, p. 205). Last original fol. found in box of fragments by Rees in P-Cug. Modern pencil foliation, fols 001-014, 014-033, 035-062; last folio unnumbered. Two people were responsible for the compilation of the manuscript in close collaboration (cf Rees 1995, p. 208). Scribal work suggests that some of the music might have been composed by Pedro de Cristo; this is also corroborated by stylistic analysis of the pieces. Text of second Passion (St Matthew) setting (f.43r seq.) written in red-brown ink.

Note: Indexation in PEM is from Rees's reconstruction of the Inventory based on the original ordering of folios, and not according to the modern sequence and folio numeration. (In its current form, a few folios are in the wrong positions, and sections of manuscript have become separated.)

References: 

REES, Owen (1995), Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra, New York & London: Garland, pp. 205-11, 373-74, 395-96

Indexed by: