E-TUY (Tuy) Archivo Capitular de la Catedral de Tuy L V

Shelfmark
L V
Siglum

E-TUY 005

Source type
Subcategory of source
Category
Document type
Main place of use
Provenance
Date
17th/18th century with 20th-century additions
Cursus
Contents

2 Antiphons; 1 Canticle; 5 Lessons; 2 Masses; 1 Requiem Mass (with 7 sections); 3 Motets; 9 Psalms; 1 Response; 6 Responsories (= 36)

Type of notation
Description of the notation

Mensural (white) mostly using stamped noteheads

Decoration

Early 20thc frontis., pen and in drawing showing floral design with snake entwined; it also has inscription ‘S.I.C. de TUY / CANTO / DE / ATRIL’. Depicted in the centre of this page is an open book inscribed with the words: ‘Mag. Emm. Martinez Posse / Bargiela me fecit Anno MC MIII’ (1903). Some red initials; stamped decorative initials in the Palestrina mass (scribe: Cassianus López Navarro; see also E-TUY 1, P-EVc 2)

Inscriptions

Decorated title page, with inscription: ‘S.I.C. de TUY / CANTO / DE / ATRIL’. Depicted in the centre of this page is an open book inscribed with the words: ‘Mag. Emm. Martinez Posse / Bargiela me fecit Anno MC MIII’ (1903). (Photo image: 999i initial guard leaf) Title pages: ‘Asperges me / et / Vidi aquam’ (f. 1r); ‘MISSA / Iste Confessor / Joannis Praenestini’ (f. 9r); ‘Passio / D.N. Jesu Christi’ (f. 31r); ‘AD VESPERAS’ (f. 40r); ‘MISSA / Defensor alme Hispaniae’ (f. 58r); ‘Officium / Defunctorum’ (f. 67r)

Material
Condition of document

Fair-Good

Page layout

Choirbook format

Foliation/Pagination

i + 102 + vi fols. Fols 1-30 in pencil; thereafter, more than one foliation sequence in pencil visible, and missing fols. There are additionally five sequences of original foliation in ink visible from different fascicles and/ or choirbooks

Gathering

This choirbook was compiled from the collation of fascicles from several different choirbooks. There appear to be six different sections, many of which are separated by title pages. The original foliation from most of these former choirbooks (in ink) is visible on many folios/fascicles succeeding the initial two sections comprised of the Mass Antiphons and Palestrina’s Missa Iste confessor (up to PEM fol 30r). The following sections/fascicles form a similar or near uniform notational group, but evidently originated in a number of former choirbooks. These are comprised of the following: (a-b) 2 Passions, and music for Vespers (old ink foliation 46v-63r); (c) Benayas’s Missa Defensor alme Hispaniae (old ink foliation 36v-43r); (d) Officium defunctorum (old ink foliation 55v-59r); (e) Requiem mass (old ink foliation 83v-91r); (f) motets (old ink foliation 68v-76). There are also some missing folios in the MS, notably 6 folios after the Missa Iste confessor by Palestrina, which would have corresponded to (pencilled) fols 30v-36r. This means that the sequence of fols on PEM after fol 30r no longer corresponds with the newer pencilled foliation. However, there is more than one sequence of pencilled foliation visible, indicating that there are lacunae in the MS. There are 5 insertions of new psalms by the composer Martínez Posse (1858-1935) in the Pro defunctis section entered by the scribe Bargiela Martínez (see Inscriptions)

Bindings

Brown leather over boards; metal bosses, corners and clasps

Remarks

The name Bargiela on the frontis., who compiled this choirbook from old MS sources and entered new compositions by Manuel Martínez Posse in 1903, refers to Evaristo Bargiela Martínez, a musician at Cathedral Cathedral in the late 19th /early 20th century. The MS consists of a series of several fascicles originating in former choirbooks

References

KASTNER, Macario Santiago (1958), 'Notas sobre la música de la catedral de Tuy', Anuario Musical 13, pp. 195-200

TRILLO, Joám & VILLANUEVA, Carlos, La música en la catedral de Tui, (Diputación de La Coruña)

External link: https://hispanicpolyphony.eu/institution/4264

Description author/s
Indexed by
Completed on

Musical Items

Displaying 1 - 20 of 37
Folio Seq Incipit Feast Occasion Genre Composer
001v-004r 001 Domine hyssopo (Asperges me) MI A Palestrina, Giovanni Pierluigi da
004v-008r 001 Egredientem de templo (Vidi aquam) MI A Palestrina, Giovanni Pierluigi da
009v-030r 001 Missa Iste confessor MI Mi Palestrina, Giovanni Pierluigi da
031v-037r 001 Passio Domini nostri Jesu Christi Dom. de passione MI Pa Anonymous
037v-040r 001 Passio Domini nostri Jesu Christi Fer. 6 in Parasceve MI Pa Anonymous
041v-043r 001 Sede ad dextris mei (Dixit Dominus, De BMV V PS Anonymous
043v-046r 001 In domum domini (Laetatus sum, tone 4) De BMV V PS Anonymous
046v-049r 001 Quoniam confortavit (Lauda Jerusalem, tone 8) De BMV V PS Anonymous
049v-052r 001 Potens in terra (Beatus vir, tone 3) De BMV V PS Anonymous
052v-053r 001 Laudate Dominum (tone 8) De BMV V PS Anonymous
053v-055r 001 Ego autem humiliates (Credidi propter, tone 6) De BMV V PS Anonymous
055v-057r 001 Anima mea (Magnificat, tone 2) De BMV V Ca García Benayas, Matías
058v-066r 001 Missa Defensor alme Hispaniae MI Mi García Benayas, Matías
066v-072r 001 Regem cui Pro defunctis M I Morales, Cristóbal de
071v-072r 001 Intende voce ora (Verba mea auribus) Pro defunctis M PS Martínez Posse, Manuel
072v-075r 001 Domine ne infurore Pro defunctis M PS Anonymous
075v-076r 001 Ne quando rapiat (Domine Deus meus) Pro defunctis M PS Martínez Posse, Manuel
076v-078r 001 Parce mihi Domine (2p. Peccavi quid Pro defunctis M L Anonymous
078v-080r 001 Taedet animam meam Pro defunctis M L Morales, Cristóbal de
080v-081r 001 Ne recorderis Pro defunctis M R Martínez Posse, Manuel